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Matt Abbott was volunteering at the Calais Jungle refugee camp when his native Wakefield voted 66% Leave. Why did so many working-class communities like his support Brexit so strongly? How can the UK ignore a humanitarian crisis just 22 miles from Dover? And does anything ever actually change for people like Maria?Matt's one man poetry show, Two Little Ducks, is a powerful, personal and political spoken word show from one of UK poetry's rising stars. He channels the human side of politics to look at national identity, preconceptions, class and anti-establishment anger. Poetic flair and storytelling, with a unique insight into the summer that changed everything.To accompany the show, Verve Poetry Press has produced a book containing the full and final version of Two Little Ducks, along with a selection of the stand-alone poems Matt composed during the time of writing his show. Together they form a collection that gives a full and inspiring taste of this poet's pin-point way with words and great concern for common people – their complexity, their great unpredictability.
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Adjusted / Casey Bailey. - [miejsce nieznane] : Verve Poetry Press : Legimi, 2019.
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It seems like Casey Bailey has been adjusting all his life. Adapting to the harsh realities of his Nechells upbringing – the drugs, the weapons, the lost friends, the lost hope. Finding ways to assimilate and swallow injustices and ways of being treated that no-one should have to tolerate. Finding a way to make meaning of his life – a way to contribute.And to some extent, he succeeded. He made the moves he needed to make and began to find his place. And then 2017 happened – when within a year he lost his mother and became a father and was forced to deal with extreme loss and joy, pride and pain, as life-sized as they get and all at the same time.This book is about Casey's journey, and is an attempt to tell the story of this last tumultuous year, when sky-high highs and lows as low as ocean beds combined to form something else entirely; when a whole new raft of adjustments, bigger than any he'd made before, were asking to happen.Casey's poetry is up to the challenge of capturing all this. He has an uncanny ability to make simple poetic statements about things which remain resolutely complex. He can capture the extreme highs and the godawful lows of the life of a young man losing big and gaining large. His poems should break under the weight of the joy they contain and the grief they depict. But they don't. They look at their subject with the steadfast glare of one who refuses to be beaten and is resolute in his duty and desire to protect those he cares about most.Casey is a glorious performer, whose words refuse to falter in the face of the wild emotions they seek to communicate. But it is here on the page that the true depth of Casey's vision comes through. Lows as clear as crystal – highs as detailed and fragile as hearts made of glass.Casey recently had two videos of his work filmed and broadcast by BBC3, each amassing over 200,000 views on facebook.
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The title of Elaine Beckett's debut collection suggests a process of unstoppable change. Moments of personal and global crisis are juxtaposed, and examined from different perspectives so that her poems reveal how humanity is in a constant state of flux. This is ambitious work, acute in its commitment to the truth of lived experience. Beckett's watch-maker's eye for detail, impeccable ear, and intricate use of poetic form, reveal truths with a compassion that moves her work way beyond the confessional. Arranged in seven short sequences, that spiral round themes of loss, betrayal, delight and re-birth, this is a beautifully wrought collection; at times hard hitting and painful, yet funny and moving, and always surprising. 'Occasionally a poet comes along pretty much fully formed. That is what I felt when I first read Elaine Beckett's poems. Not only her voice -brazen, tender, angry and funny - but how it's held in structures of great poise and resonance. Absurd and revelatory, sometimes painful, these poems, steeped in a dark, ironic lyricism, are to be read and read again.' – Greta Stoddart Debut collection from Faber New Poets 13 author Elaine Beckett, whose Covid related poem Thursday went viral recently after being published in poetry review... Thursday When the dusk comes in as quiet as this as low as this, as dense as this,! like your whole world has gone back to where it began and you wonder how you got into this mess the kind of mess you cannot see an end to as if it may already have ended very badly and all you can hear is the sound of your own name spoken deep inside your own head, it is probably best to step back from whatever kind of brink you imagine you have reached and think about something else, something small and practical like boiling an egg.
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Into Eros / Zoe Brigley. - [miejsce nieznane] : Verve Poetry Press : Legimi, 2021.
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Into Eros is about recovery after sexual violence. Anne Carson's assertion that Eros is "the biggest risk of your life" takes on a new meaning within legacies of trauma, and on a quest to rediscover desire and healing. This chapbook might help survivors, by offering a complex view of life after violence which includes both difficulty and joy."Brigley bravely confronts what it is to be a woman in a world that sees women as prey" - Maggie Smith, author of Goldenrod & Good Bones
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Somehow / Helen Calcutt. - [miejsce nieznane] : Verve Poetry Press : Legimi, 2020.
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In September 2017, Helen Calcutt's brother Matthew took his own life. He was 40 years old. '… the phone rang / and when I answered it / you'd killed / yourself, and that was the start / of you being dead.' This is the starting point of an astonishing new pamphlet of poems by Helen Calcutt. At times harrowing; at others hopeful – always deeply felt and beautifully realised. These poems display the poise and precision of a poet already at the height of her powers, writing the un-writable, weaving the terrible into something relatable and filled with the light of understanding. How do we survive the tumultuous presence of grief? How does the trauma of losing a loved one to suicide affect, our identity, our creativity, and our ability to love? How – in a world shattered by incomparable change and severe loss – do we build a life from the wreckage? Because we do. Somehow, we do.
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'…I told you/ I really like your smile./ And to my surprise/ you gave it to me.' This astonishing debut by Beth Calverley takes the umbrella theme of the smile and shares it out – with great generosity and care - among a multiplicity of subjects, moods and meanings. Smiles can be brave, shy, sad, or a lighthouse beam of joy. They can be a mess of countless other things. This subject seems so appropriate to a poet whose presence, way of reaching out to every member of her audience, and most of all her smile, seem to create smiles all around her. Her leaps of imagination take the breath away. Her use of recurring imagery draws a safety-net of light around her listeners and readers. Some of the smiles that inspired poems in this collection are contributed by people whom Beth has met on her adventures with The Poetry Machine. These poems are worthy of your great attention. We dare you not to smile as you read. 'This is a rich, absorbing, heart-warming collection, sensitive to life's pleasures and pains. Beth Calverley makes us attend differently to ordinary things - a single look can be 'a glass of cold water', a room 'a tangle / of buttery light', a smile 'a too- / tight scrunchy'. We should all smile more, and we should all read more poetry. This collection covers all bases!' - Helen Mort Content Warning Go gently. This collection is home to all kinds of smiles. Many of the poems in the collection look at how smiles adapt to challenging times as well as positive ones. They explore experiences of mental ill-health, physical ill-health, grief, loss and trauma as well as joy and connection. There is a full list of content warnings at the start of the book and Beth will share CWs during the event.
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Tapping At Glass charts girlhood, multilingualism, and psychogeography from Hong Kong to Scotland. Myths, meditations on the arts and mass media, and migration stories entwine. Through protest-stricken urban spaces, love hotels, farming as activism, frog watching, alternative therapies, and seascapes where racial and social memories flow in all directions, the working class subjects in Cheng's poems reflect on what it means to exist in one locale and dream of elsewhere, where the past and future, interconnectedness and othering, are in perpetual negotiation. Tapping into various moods, Cheng's poems question the making of a self and a city, and the languages one uses to translate microhistories. Tapping At Glass is Tim Tim's debut pamphlet collection. "Tim Tim Cheng is a wonderful new voice in the poetry landscape. Playful, serious, complicating any attempt to pin her down – even in the short span of a pamphlet she dances through images and ideas. Already so accomplished, she is definitely a poet who is going places." – Niall Campbell
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It feels like this incredible pamphlet from Geraldine has been ages arriving. We're so glad it is finally here in all its foxy glory! Crucifox is more a state of mind than a particular creature or person. The collection circles rebellion, emergence from disappointment and fasting, new beginnings, recreation following destruction; soulwork; inspiration and the act of writing itself. There is a focus on female desire and feral impulses behind polite exteriors; assumed responsibilities and pre-packed creeds; the role of women within close-knit community, the silent and marginalised aspects of women, their masking and unveiling and the stilling of their tongues. There is no shortage either of vermin and sleaze, crime, including murder; along with curlicues, cleaners, clowns, gambling, lotteries, and a lot of luck… These poems are intricate poetry masterpieces – breathtakingly beautiful, stomach churningly real. We know you will love this wonderful work!
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Big Sexy Lunch is an irreverent, entertaining account of millennial philosophy and relationships. Roxy Dunn's observational wit and reflective self-doubt muse on sex, singledom, and falling in and out of love. There's a directness and an honesty to these poems which humorously scrutinises the conflicts and contradictions of being attached to someone and our ongoing appetite for fulfilment.
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Belongings is, as it sounds, a collection of thoughts and feelings that depict the very heart of Asma's life as a British Sudanese woman. A life that contains multiple influences, expectations and juxtapositions. Her poems are raw and unfiltered – Asma holds little back in her work, covering subjects personal to her such as migration, mental health, racism and sport.These lines that started out as spoken pieces have finally made it to the page, to be read and savoured. Asma presents you with that which is hers. Her Belongings.
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In The Shooting Gallery, Carrie Etter juxtaposes two series of prose poems: one exploring Czech surrealist Toyen's World War II line drawings and one addressing US school and university shootings since Columbine High School in 1999. Both series consider the awful conjunction of youth and violence, at once real and surreal. In these terse, chilling, and compelling poems, Etter explores the aftermath, a landscape of loss and unanswerable questions.
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Finally, in printed form, the poems from Louise's BBC3 commission 'Love is a Battlefield' make a wonderful pamphlet The Uniform Factory is modern war poetry marching to it's own syncopated rhythm. Anti-war. Pro-soldier. It documents and dreams the after-affects of economic conscription, war in Afghanistan and PTSD. Gallows-humour standing shoulder to shoulder with bitter anger. The collection is punctuated by landays- a Pashtun poetic form, traditionally spread woman to woman, changing, rebelling and re-mixing in the telling. Written from the perspective of the families left behind in Northern England
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Hurtz / Jasmine Gardosi. - [miejsce nieznane] : Verve Poetry Press : Legimi, 2019.
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Gardosi's first foray into print. It is also a labour of love. A single poem, performable, readable on the subject of sound, colour and individual pain (physical but also and most notably emotional).Jasmine's incredible piece helps launch our new Verve Poetry Pamphlet series – 'Pamphlet of Words' – in which Spoken Word Poets of note explore the variety of ways performance pieces can be aimed resolutely at the page and yet still fly in performance.
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Composed in two halves, Erica Gillingham's The Human Body is a Hive is a playful and observant reconception of queer love and queer family-making. Opening with a shameless celebration of sex and desire, the collection expands the boundaries of love to include friendship, romance, and lifelong partnership. The latter catalogues the cyclical heartbreaks and wonders of fertility treatment through the microscopic lenses of nature, medicine, and art. Both quietly moving and profoundly celebratory, this exciting debut evokes tenderness and resilience.
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Besharam / Nafeesa Hamid. - [miejsce nieznane] : Verve Poetry Press : Legimi, 2019.
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Learning that your mind and body have been taken hostage is one thing. Learning how to take them back is another. What if those that are returned are different to the ones that were lost?Besharam – Nafeesa Hamid's glorious debut collection – asks this and many other questions. When does a girl become a woman? When does her world allow her to become a woman? And what kind of woman should she be? The answers aren't readily forthcoming.As she treads the shifting line between woman and daughter, between Pakistan and the West, between conservative Islam and liberal, Nafeesa has almost had to find a new language to try to communicate the difficulties of her situation. And what a language! At times hard and pointed, at other times wonderfully and colourfully evocative, erupting with femininity, empowerment and rebellion. It is this language that makes Besharam such a pleasure to read in spite of the pain it contains.This really is a magical first book of poetry.Besharam contains guest poems from Birmingham poets Mina Mekic, Yasmina Silva and Zeddie
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'I'm a widower grieving herself. / My stem still living / while all the petals have died; / my body has begun to droop.'Hannah has taken her regular hospitalization due to serious illness and made it into astonishing poetry. Her world of the hospital is sometimes like a zoo, sometimes like a gallery and sometimes a crowded town square. The wards contain tigers and crows, butterflies – doctors become poets, the dead turn into an art installation, while outside, the trees are plastic – as unchanging as Hannah's shielding days that 'drag like a foot.' But between the pulled curtains of these words the details of real-life amongst the terminally ill are depicted in full colour. A daughter 'cries neatly in a corner' while her mourning father spins 'his wedding band around his finger.' Nurses fill 'carrier bags marked 'patient's property',' while 'the industrial plastic' crinkles as a body is lifted from bed to trolley in its bag. The poet's eye feels unblinking at times – unable but also unwilling to blink. How could it when it has so much to show? These poems are heavy with import, but they are light with the liveliness of art that is beautifully rendered.'These are extraordinary poems that contain both humour and grief towards a world that continually dehumanizes disabled people in multiple ways. With startling images, Hannah Hodgson balances anger and love, despair and hope – this is a pamphlet that will leave any reader irrevocably changed.' – Kim Moore
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Jemima Hughes brings you her first autobiographical poetry collection which will sweep you up and drag you through the "mindfield" of the 'Unorthodox'. Whilst tearing through experiences of abuse and mental health, Jemima leads you into a whirlwind of love and heartbreak, providing a raw and relatable outlet. Sometimes a tornado can be more beautiful than it is destructive, either way it will keep you gripped.
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Rooh / Rupinder Kaur. - [miejsce nieznane] : Verve Poetry Press : Legimi, 2019.
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For Rupinder Kaur, writing, along with any other art form, should be azaad – free: free to express what the artist wants or needs to say, without any censorship. Rupinder is known for speaking her mind and this is reflected in her poems.In Rooh, her debut poetry collection, she takes us on a poetic journey that transcends borders and arbitrary boundaries of subject and style. Her work straddles English and Punjabi culture – fusing words from Punjabi, Hindi and Urdu and English. Her poems look at love, religion, identity, politics, history, taboos, society – often questioning orthodox views, particularly around the roles that different genders are expected to adopt. Rooh has a grand scope, and stares unblinkingly at the world. It is a stunning first collection from this young, intelligent poet.To reflect these concerns the poems in Rooh have been detatched from their own moorings, to become and single river of verse. A river that by turns widens and narrows, meanders and charges rapidly onwards, that is contained when it isn't breaking its bounds. The poems move with the freedom that Rupinder wishes she could see in the world around her – and with this in mind this book can be read in one long sitting or can be dipped into and out of like a cold river on a hot day, as your own rooh or soul dictates.Rupinder Kaur is a Birmingham born Panjabi poet and biomedical science student with an immense love for South Asian arts. She sees writing and reading poetry as a way to liberate the soul.
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LUKE KENNARD's first pamphlet in six years – Truffle Hound – kicked off our experimental pamphlet series with a bang in 2018. More resolutely prose than any of his previous books of poetry (although not his novel) here Luke allows his childhood (imagined or otherwise) to flood into the foreground, while his present (factual or fake news) distorts and fractures as if his life were being directed by David Lynch and Terry Gilliam and neither could agree whether horror or comedy should dominate. Dogs, cigarettes, children and pills shouldn't really be permitted to mix should they? Here they are a heady mixture indeed!With that nonchalant way that Luke has of seeming to toss words as if they were his hair, Truffle Hound piles neuroses on top of neuroses (not necessarily Luke's) as it tackles subjects as wildly varying and yet somehow connected as over the counter pain-killers, the domestic struggles of humans on other planets, scathing criticism (both literary and personal), transistor radios and shops – an inordinate amount of shops. (The shops are where you can buy the pills and cigarettes and food for the dogs.)We found out today that in some colleges across the land, a certain kind of poetic output is sometimes described as being Kennardian. We don't know if Truffle Hound is Kennardian or not. (Perhaps it is Neo-Kennardian?) But we are hoping that one day soon, something, somewhere, of very little interest if needs be, will be referred to as Vervian. We are hoping this a lot.Luke Kennard is a poet and novelist. His books have been shortlisted for the Forward Prize, the Desmond Elliott Prize and the International Dylan Thomas Prize. He lectures in the School of English at the University of Birmingham.
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these poems were made during five years of eating and living in glaschu, scotland. they should not be taken as reviews – nor should the quality of the poems necessarily be seen to reflect on the quality of any food or place which may bare a similar name, in either a positive or negative light. Food, culture, history, race, food. No-one combines these subjects like Glasgow based, England born, of Hong Kong heritage Sean Wai Keung.
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